top of page
Search

Picture 41: Oliver! (1968)

Writer: Joseph Gallaher
Joseph Gallaher
Jun 9, 2024
3 min read

1968 and yet another musical appears. Oliver! follows on from fellow 60s' musicals West Side Story (1961), My Fair Lady (1964) and the Sound of Music (1965). The act to follow is hard. Can Columbia Pictures deliver?

 

It’s 1830s England and we are introduced to the 10 year old Oliver Twist. Oliver is a bright-eyed and bushy-tailed orphan labouring in a workhouse in Dunstable, Bedfordshire. Despite the horrors of Victorian era child slavery in Bedfordshire, most characters present still find the emotional and mental space to sing and dance joyfully within the first five minutes “Food, Glorious, Food”. Struggling with this unnerving inconsistency, I resist the urge to turn off the television and remember the founding principles of the Best Picture Film Project. We are here to explore the human condition and the history of cinema, not to judge nor condemn.

 

Oliver’s rebellious nature results in his life going on a spectacular rollercoaster amidst a series of regular singing and dancing acts. He is evicted from the workhouse, sold off as an apprentice to an undertaker, walks all the way to London, moonlights as a pickpocket and gets to spend some time in the luxurious Bloomsbury Square. Amidst the indefatigable chaos, could he even discover his true parentage? The first ever child protagonist in an English novel is brave, resilient and can maintain a beautiful equanimity to all of life’s tumultuous events – he is an example to us all.

 

A monotony lingers over the first hour but in time Oliver! gathers momentum towards an impressively engaging finale. The emotional journey this young boy goes on is enough to thaw even the most frozen of hearts. Strong supporting roles from a young Oliver Reed and Ron Moody strengthen the adaptation yet further and it goes for a respectable 7/10.

 

Rating: 7/10

 

Reflections:

 

1.     All life brings struggle – whichever path you choose. 

2.    Happiness is your reality minus expectations.

 

Oscar Best Picture Rankings:

 

1. Casablanca (1943)

2. The Apartment (1960)

3. Rebecca (1940)

4. The Sound of Music (1965)

5. A Man for All Seasons (1966)

6. Lawrence of Arabia (1962)

7. Ben-Hur (1959)

8. Lost Weekend (1945)

9. All About Eve (1950)

10. Hamlet (1948)

11. How Green Was My Valley (1941)

12. Gone With the Wind (1939)

13. West Side Story (1961)

14. Mrs. Miniver (1942)

15. All Quiet on the Western Front (1930)

16. Wings (1928)

17. Mutiny on the Bounty (1935)

18. You can’t take it with you (1938)

19. The Best Years of Our Lives (1946)

20. On the Waterfront (1954)

21. The Bridge on the River Kwai (1957)

22. Marty (1955)

23. Oliver! (1968)

24. Cimarron (1931)

25. Grand Hotel (1932)

26. An American in Paris (1951)

27. From Here to Eternity (1953)

28. It Happened One Night (1934)

29. My Fair Lady (1964)

30. Gentleman’s Agreement (1947)

31. Cavalcade (1933)

32. The Life of Emile Zola (1937)

33. Going My Way (1944)

34. The Great Ziegfeld (1936)

35. All the King’s Men (1949)

36. In the Heat of the Night (1967)

37. Gigi (1958)

38. Around the World in 80 Days (1956)

39. The Greatest Show on Earth (1952)

40. The Broadway Melody (1929)

41. Tom Jones (1963)

 

Previous or current ranking leaders are in bold.

 

With credit and thanks to the patrons of the Best Picture Film Club:

 

Dr Sophie Bloomfield

Dr Caspar Briault

Dr Kate Diomede

Dr Fionnuala Durrant

Dr Josh Fisher

Mr Vivian Gallaher

Mrs Clare Gallaher

Dr Hannah Morrison

Dr Meera Radia

 
 
 

Recent Posts

See All
Picture 72: American Beauty (1999)  

1999 was an excellent year in film. The Matrix, The Sixth Sense, Fight Club, Magnolia and Toy Story 2 all made it to the silver screen. However, there can only be one winner for each year and Sam Mend

 
 
 
Picture 71: Shakespeare in Love (1998)

1998 and, in one of the biggest Academy Award shocks, the top prize went to Shakespeare in Love in place of Steven Spielberg’s Saving Private Ryan. It is therefore time for a romantic comedy set in El

 
 
 
Picture 70: Titanic (1997)

It’s March 23rd 1998 at the Shrine Auditorium in Los Angeles. Sean Connery talks through the impressive list of nominees for Best Picture: As Good as it Gets, the Full Monty, Good Will Hunting, L.A. C

 
 
 

1 Comment


claregallaher
Jun 09, 2024

Great quotes, and excellent review, as always 👍

Like
Post: Blog2_Post
  • Facebook
  • Twitter
  • LinkedIn

©2021 by Watching Every Oscar Best Picture Winner Since 1928. Proudly created with Wix.com

bottom of page